Yesterday I helped host the
celebration of my colleague James Harding’s 20th year of teaching at
our school. In fact, we have a shared a life for 25 years, but through a
complicated story and three years where he worked at another school, we celebrated
his 20th now. It was a beautiful event and if you had come to it
having never met James, you would have left feeling like you knew him. And
intrigued to know more.
Would that all of us have
such public moments of recognition. Not the gold watch and clichéd speeches or mean
roasting stories, but the kind that gets to the heart of the matter and reveals
that you have been deeply known and seen and appreciated for the unique force
of your character. And would that it happen before our memorial service!
The event opened with James’
parents and beloved colleague Sofía playing recorder with a nostalgic
slide show behind them. Opening words from the head of school and then James’
lovely original song sung by elementary school kids spiraling around him and
ending in a hug:
“Round the oak tree, ‘round the oak tree, walk with
me.
In every
acorn, every little acorn, there’s a tree.
Something great is inside of me.”
On to a slide presentation
of his newly-published book, “From Wibbleton to Wobbleton” and then a showing
of various short films he has made with the kids over the years. (I believe a
James Harding short film festival is in order— they’re delightful!) Speeches
from an alum, two school colleagues, a song about him to the tune of “My
Favorite Things,” more accolades from Sofía and I, his partners in crime. Mine
began like this:
“James is a genius," is the
prevailing wisdom. Most of us think about Einstein or Mozart when we say that,
associating genius with extraordinary intelligence or talent. And there is that
in James for sure. But the older definition of genius comes from the Roman
concept of the “attendant spirit of a person or place.” In this sense, none of
us are a genius, but all of us have a
particular genius within, that something-great-acorn inside of us that carries
the blueprint for the splendid oak we’re each meant to be. That genius is our
own way of seeing the world, our particular way of speaking and expressing
ourselves and making our way through this complex vale of joy and sorrow. Our
job is to search for that particular genius that entered the world with us, to
be able to recognize its voice, to open a conversation with that genius and
keep that conversation alive and vibrant amidst all the noise in the world
trying to drown it out. And to follow it no matter what the cost.
Sounds easy, but perhaps is
the most difficult thing we have to do in this life. Not only because the world
is trying to make us into everyone else, seeks to flatten us or brainwash us so
that we will be lifelong consumers or obedient citizens whose consent can be
manufactured in the factories of compliance. But also because the genius is so
demanding and uncompromising and requires so much from us. Make no mistake, our
life will no longer be our own once we commit to its demands. We will have to
work hard beyond all reasonable levels, often without compensation or
recognition and never with complete assurance that the ladder we are climbing
is up against the right wall.
And that’s what James has
done. He is among the five most hard-working people I know, doing “whatever it
takes,” even if it means making a movie to show at the Spring Concert 30
minutes before the concert! His genius leads him into the complex pathways of
the imagination in all its myriad manifestations. Whether creating a film,
writing a song, creating a dance, arranging a piece for Orff instruments, inventing
game after game after game which will delight and challenge and inspire both
the children and adults he teaches, James is in constant conversation with the
imagination and submits to its demands. Like I said, making a film to show at
the Spring concert 30 minutes before the concert, even if it means not meeting
with me to talk about the program notes!
So what we admire, what we
all admire, is the imagination at play and James’ unwavering commitment to keep
the conversation with his genius alive. He reminds us how to see the miraculous
in the simple, to see the immense possibilities in a cardboard box and the
world is refreshed by his efforts.
And so Genius Bar. Not the
place with hip young people hovering with their i-Pads helping you figure
out something on a machine. I’m talking about the bar our genius sets for us
and daily invites us to leap over. After celebrating James particular genius, I
went on to pay attention to my own, performing a jazz concert with my fellow
Pentatonics. Some exhilarating moments soaring over the bar, some moments
knocking it off, but the Genuis actually doesn’t care that much about winning
the track meet. It only cares that you show up for the event.
A three-day weekend
begins and that inner voice is suggesting that I do all the boring work
necessary— arranging flights, filling our Visa forms for Interns, making
liner notes for a CD, etc.—to prepare the sacred ground of the genius at work
and play. And I will.
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