Johnny, Johnny. Yes, Papa.
Eating sugar? No Papa.
Telling lies? No Papa.
Open your mouth! Ha! Ha! Ha!
One of my favorite little rhymes to do with preschoolers. And the
beginning of literary analysis. I have a pre-story of a hungry Johnny going to
the kitchen late at night and seeing an apple on the counter next to a bowl of
sugar. He knows that he shouldn’t just eat sugar, so his hand reaches for the
apple, but keeps wandering over to the sugar bowl. Finally, he looks around to
make sure that no one is around and reaches into the sugar bowl. Just at that
moment, his Papa comes in and the above dialogue takes place (Papa, left,
Johnny, right).
At the end, I ask the kids why Johnny is laughing. The theories range
from, “Because he really did tell a lie and he’s pointing to the sugar in his
mouth. ‘Ha, ha, I’m just kidding. I did it!’” Or “He swallowed the sugar so Ha
ha, he didn’t get caught.” “It’s under his tongue.” “He never ate the sugar,
it’s in his hand.” At the end, I ask “Which one is right?” And with the
information given in the story and the poem, the correct answer is “All of
them.” Welcome to the world of literature and art.
In the world of the poetic imagination, a lie can be the deepest form of
truth. When kids hear a story and ask, “Is it true?”, I often try to explain,
“It is truer than true in your imagination, like the way dreams are true.” And
even when it’s based on something that actually happened, the story teller has
to play with the events and make them yet truer by exaggerating things that
happened or adding things that didn’t or subtracting boring details.
So today I told the first and second graders that unknown to us, every
night the vegetables in our refrigerator sneak out and hold a big party and
went on to sing “The Barnyard Dance” to tell the story of what happens. I told
the preschoolers that there is a man in the moon named Aiken Drum who dresses
in food every day, starting with his peanut butter hat. At the end, I tell them
that when I first heard this song, I made myself a peanut butter hat. But it
was a bad idea, because when I took it off, the sticky peanut butter took off
all my hair with it and that’s why I’m bald. “Kids, don’t try this at home,” I
warn them.
And this is why little kids seem to love me so much. I tell great lies
that is just the kind of truth they like. And it’s why I love them so much—
they get it! I’m sure it’s a crime to
enjoy my work as much as I do and if the F.B.I. was truly doing their work, I
would be on the Ten Most Wanted List. (But I’m glad they missed me, because I
couldn’t work at school with an FBI record. And neither could Pete Seeger or
Dr. Spock or Martin Luther King, etc. But that’s another story and it ain’t no
lie.)
The lies being told daily on Fox News and in government buildings are
wholly unimaginative and causing so much harm. The lies that good artists and
storytellers and writers tell the children are so delightful and bring so much
joy. The moral?
Pick your lies carefully. And don’t eat sugar straight out of the bowl.
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