“In Wisdom literature, the principal evil to be
attacked is in oneself and the secondary evil to be opposed is the power of
anyone who victimizes the weak.”
–
David James Duncan
The year was 1969. I was an incoming freshman at Antioch College
attending an orientation week. On the first day, in the middle of a meeting, a
strong-voiced older student stood up and took the floor: “The most important
thing you all need to learn here is how to get involved in the Revolution! We’re
here to change this evil, fascist world!” Then a long-haired soft-voiced second
student stood up, “I don’t think we can change the world without changing
ourselves. We’re here to learn to work on ourselves and if everyone does it,
the world will change.” They argued back and forth a bit: “How can you do yoga
while people are dying in Vietnam?” “But if the war stops and people haven’t
dealt with the violence in themselves, nothing will change.” And then at some
point, they both confessed that what appeared spontaneous was set up ahead of
time. But the point was well-taken—the boundary lines of my college—and later
experience—had been set. Change yourself. Change the world. But the key to the
dialogue lay in the prepositions. What began as “either/or” changed to
“both/and.”
Seven years later, I found myself in an old boy scout camp on
top of Mt. Baldy in Southern California, immersed in a seven-day Zen retreat
whose rigorous schedule was designed to awaken to a core selfless self. Awake
at 3 am, bed at 10 pm and most of the hours in-between spent sitting silently
face-to-face with all our mutual ignorance, attachments, ego-clinging notions,
breathing ourselves with good posture, pained legs and pointed focus to a
larger definition of Self. It was the most profound practice of changing our
self I had ever encountered, before or since.
And I often felt, standing outside in line in the early morning
dark with 25 other black-robed beings, in company with the first morning birds
and mountain breeze, hearing the bell and walking in unison down the
gravel-path, that we strange creatures moving together on our way to the sutra
hall to chant ancient Sino-Japanese sacred texts, were somehow holding this
broken world together. No one knew we were there, but our dedicated work was
rippling out in unseen ways to bring light and healing. This was not something
I could rationally defend, but a deep conviction that helped make my step
lighter and made the pain and terror of facing oneself squarely with no
distractions, excuses or intermediaries both bearable and important.
Seven years later, I found myself in meetings of the Nuclear
Freeze Movement being trained to give little talks and show the video of The
Last Epidemic, a doomsday warning based on the work of Helen Caldicott. Hours
and hours, with my first-born daughter a tender 3 years old and ending up
speaking to groups of 10 people or so in church basements. It seemed important
and necessary work, but never did I feel so helpless and hopeless and
ineffective.
I finally turned more of my attention to creating opportunities
to give Orff workshops to teachers around the country and later, the world and
here’s where the “both/and” part of change began to kick in. I had found my
little corner of the world from which to speak and in addition to voting,
protesting in the streets, signing petitions and such, the necessary duties of
being an active citizen, I found myself using my position as workshop leader to
speak out against the power of those “victimizing the weak” and speak on behalf
of children, of art, of the black folks who created the wonders of jazz and
more. Always in the context of the joyful work we were doing. It’s never enough
to just critique what doesn’t work, we need to show and model and live what
does.
So while the “change your self” part of the work meant creating
instant safe communities where people take risks and discover untapped parts of
themselves in company with other risk-takers, the “change the world” part meant
looking at the forces in the world that seek to shut us down and gathering the
courage to speak out against them. Hardly a workshop goes by where I don’t
point out the harm done by educational policies and practices, from cutting out
arts programs to reducing them to ways to make math scores better to insisting
that machines be used or behavioral compliance enforced. If I’m teaching jazz,
I never fail to tell stories about what these musicians went through and insist
that if we’re going to feel the joy of dancing to or playing Count Basie, we have
to know who to thank and vow to work harder to end the racism they suffered
from.
It pisses some people off, some people appreciate it, some
people endure it, but at this point, I don’t care. It’s my way of fusing
together the twin mandates of that college orientation. And what would it be
like if everyone used their position, skill, opportunity to speak out for the
same dual purposes—to help people enlarge their narrow experience of self and
to speak on behalf of those whose voices are not represented in the national
discourse, be they children, trees, native peoples or the long list of
marginalized people, processes, ideas?
Change your self. Change the world. I heartily recommend it.
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