In the past few weeks, there has been an inexplicable spike in my blog readership. What used to look like a small village summary of page views has become a New York City skyline (see photo). The usual 60 to 100 readers daily has jumped to 400 to 600. What’s going on?
Someone suggest that “bots” have hooked into the system. I
don’t exactly understand it, but I think that these are some robotic search
engines looking for certain key words to report back to Google or some such
thing. So even my most inspired writing will mean nothing to their narrow minds
and cold hearts. I have a little plan (keep reading) to see if that’s the case.
But meanwhile, I’ve noticed how things were in danger of
shifting inside me thinking that 600 people are reading instead of 60. I became
a little self-conscious and started wondering what they might want to hear and
what might offend them. I became, just for a moment, concerned about keeping my
readership instead of simply saying whatever was on my mind. And that’s death
to a writer or a musician or an artist. In the end, it hasn’t actually changed
what I write or how I think about writing it, but it was interesting to
consider that attending to the god of ambition, the one who defines success
with numbers, is a dangerous path.
I’ve always felt like a microscopic dot in the landscape of
national discourse and confident that my thoughts and experiences can
contribute something of value, have longed for an expanded audience. And I
still do. “Be careful what you wish for” rings true here and truth be told, the
intimacy of my audiences is clearly part of my path and something quite lovely.
My classes with kids range from 10 to 20, summer courses for teachers 20 to 30,
one-day workshops 30 to 60, conferences 60 to 160, Keynote speeches between 100
and 1,000. My largest conference class was in Texas (where else?) with 750
people, the smallest course in Northwest Spain with 4. Jazz performances have
mostly been in house concerts, small clubs, intimate rented halls.
In short, almost all of my work takes place in small, intimate
settings. And intimacy is something I value. It’s not wholly connected to
numbers—Keith Jarrett’s solo playing in Davies Symphony Hall can have that
quality and someone told me that Stevie Wonder’s sold-out show to tens of thousands
felt like you were in his living room. But there is a critical mass, a line you
cross from the warmth of intimacy to the noise of spectacle. The shift from the
jazz club to the symphony-size crowds (Keith Jarrett notwithstanding) loses
something in the translation. Likewise, the Orff workshop. Size matters. And
small is beautiful.
Okay, here’s my plan determining the weird change in my blog
readership. If the 500 new readers are actual breathing humans, take a moment
today or tomorrow and go to my TEDx talk. It’s on my website (www.douggoodkin.com) or you can just
Google my name with TEDx. If I suddenly see a spike in page views, I’ll have a
clue that this is real. The talk is 15 minutes long and if you’re reading these
blogs, you theoretically should be interested. But even if you watch for 30
seconds, I think it still counts as a page view.
Another strategy is to see if the bots have grabbed hold of
the title and skyrocketed the blog to the millions out there looking for sex on
the Internet.
In any case, I’ll simply keep doing what I’m doing, no
matter who or how many are on the other end. Happy reading!
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