After
a full and busy week at school, I treated myself Friday night to one of my
favorite pleasures—a Hitchcock film with a bowl of popcorn in the comfort of my
own home. Like Dickens, who I still re-read each Fall, Hitchcock is my standard
for great filmmaking and though I’ve seen every film he’s ever made at least
twice, they hold up. I remember looking
forward to sharing him with my kids when they were young (never did succeed in
getting them to read much Dickens) and now I look forward to the same with my
grandkids.
Friday’s
treat was Foreign Correspondent, the
usual blend of espionage, intrigue, suspense and guy and girl in on it
together. The good guys and bad guys were clear (it’s a World War II setting)
and I particularly liked the sentiment from the good guy being tortured that
“you beasts one day will devour each other and the little man will rise again.”
Timely.
But
the weirdest moment was that in interrogating this man (Van Meer) who had
needed information the bad guys wanted, their technique was bright lights and
relentless playing of a jazz tune!! Ha ha! I would have been screaming “No more
music!” just so I could hear it again.
Who
knows whether the Trump thugs will one day want to torture me? “Why did you
teach children how to feel and think? That spoils our plan!” But now that they
know that jazz played repeatedly will only give me pleasure, they need a Plan
B. I’d say that New Age or Disco music would do the trick.
So,
dear reader, if all you know about Hitchcock is The Birds and Psycho, you
have quite a treat in store for you. I’d start with The Lady Vanishes and on to North
by Northwest, Notorious, Spellbound, Shadow of a Doubt.…well, heck, any of
them! And if you ever visit San Francisco, watch Vertigo, then call me up and I’ll give you a tour. And then take
you to a jazz club until you confess which one you liked the best.
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