I ended my time in Finland
with an afternoon in Helsinki with my good friends Soili and Terhi. I can never
get enough of the company of these two marvelous women. Conversation is always
set high on the dial, with profound deep reflections not only about our mutual
Orff paths, but about life and culture in general, punctuated with humor and
song. Just one of a hundred examples: Soili told me that in Senegal, drummakers
making a drum with two heads will use the skins of animal enemies (say a lion
and an antelope) so that the relationship of predator/prey will change to two
voices combining to make a single rhythmic song. Such a beautiful metaphor. And
that in another place (India?), the cremated ashes of a loved one are mixed
with the clay to make a clay drum, giving them a voice to keep singing in this
world. See what I mean? Such a refreshing change from the conversations I hear
far too often around American lunchtables: “Whoah! Cool! Is that an i-Phone IV?
What aps do you have?”
As mentioned before,
Finland has some impressive models that we in the U.S. would do well to pay
attention to, giving priorities to the important things in life—like education,
health care, preserving the environment and so on. Like so many places in the
world (Nicaragua where I
recently visited or Argentina where my daughter lives), they have had a woman
president while we in the U.S. are still thinking about this possibility as if
it was the most radical idea imaginable. I found the people in general highly
educated, fluent in at least three languages—Finnish, Swedish and English (the
latter spoken consistently at a higher level than our former President), an
interesting combination of reserved and wild (jumping naked into cold lakes
must feed the latter a bit) and very interested in the world beyond their
borders while also grounded in their own rich culture.
They were also very
appreciative of what I had to offer. Four different people interviewed me for
either a magazine or their doctoral thesis, an experience extremely rare in my
U.S. experience. It was a pleasure beyond words to be able to share so much of
my work in a mere six days. I taught Levels I, II and III in the Orff course,
gave a 90 minute lecture about brain-based learning, taught children in a
demonstration class, performed jazz piano, played my Bulgarian bagpipe, shared
music from Mother Goose to jazz to South Africa and beyond, taught a Jazz
Course and even got to tell some of my favorite jokes that everyone else I know
has heard far too often! When evaluating what to do, what work to take, what
project to undertake, I often ask myself “How much of me does this use?” and
the more it does, the happier I am. My time in Finland was simply wonderful in
that respect.
At the same time that I
appreciated the differences and some of the admirable ways the country has
resisted some dubious current trends, I don’t want to be too naïve or romantic.
Talking to Soili and Terhi and others, they’re facing some of the same
challenges we are. Teenage boys are addicted to computer games in almost
epidemic proportion, depression, alcoholism, suicide, already a danger in the
long winter months, is on the rise when machines trump human relations. Kids
don’t know their own folk music heritage nor are they uniformly versed in
classical music, seduced into the glammar and glitz of the Pop world. As Terhi
so eloquently put in, teachers in general are not as “widely civilized” as they
used to be. And there’s always the clear and present danger that politicians
will lean towards the mindless models of the U.S. and up the testing in
schools, take out the music, make decisions based on money instead of culture.
In short, Finland is like
any other culture or country, struggling with the eternal conflict between
healthy and harmful, helpful and greedy, intelligent and ignorant. In my view,
they are well over the 50% mark in the good things of life, but one can never relax
(except in the sauna). Always a work in progress. Thank you to Finland and my
new and old Finnish friends for a marvelous ten days.
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