Take a moment and picture this— The Wizard of Oz
without Judy Garland singing “Over the Rainbow.” According to Ben Sidran’s new
book, There Was a Fire: Jews, Music and the American Dream, the first
movie viewers saw it like this. He tells how the songwriting team of Harold
Arlen and Yip Harburg were inspired late in the game to write the song that
would become the “dramatic hinge of the whole film.” They knew they had struck
gold, but were in for a shock. Sidran writes:
“Some in the front office felt like the song created too
slow a moment too soon in the film. Some thought it was too depressing, too odd,
to see a love song being sung in a barnyard to a dog. Still others thought that
the big octave leap at the beginning of the song made it unsingable.
Subsequently, when the film was first screened, unannounced and unbeknownst to
Harburg and Arlen, the song and the scene had been cut from the film. They were dumbfounded.”
When we’re familiar with something that has touched us, we
imagine that it was as natural as The Grand Canyon and as inevitable as rain.
In fact, there are thousands of little decisions made along the way—especially
in the film world— some of which (“cut the rainbow song!”) would have made the
final version significantly less memorable. (Including Judy Garland as Dorothy.
Apparently, it was first offered to Shirley Temple.)
I’m a lifelong advocate of speaking up for what you feel is
right, insisting on further conversation. Had Arlen and Yarbug just shrugged
their shoulders with a “You’re the boss” attitude, the world would have missed
those happy little bluebirds flying over the rainbow carrying our own dreams
with them. Instead, Harburg relates:
“Harold and I just went crazy. We knew this was the ballad
of the show; this is the number we were depending on. We went to the front
office; we went to the back office’ we pleaded; we cried, we tore our hair out.
Finally, Arthur Freed went to Louis B. Mayer and pleased with him… L.B.
Mayer was very kind to Arther and said, ‘Let the boys have the damned song. Get
it back in the picture, it can’t hurt.’ So the song went back in the picture
and of course, you know what happened—when the film was released the following
year, the song won the Academy Award.”
Anything worthwhile in this life begins with dream, but it
turns out that looking to a rainbow and singing your dream to a dog in a
barnyard is just step one. After that, you have to fight like hell so that the
ignorant ones in power don’t tread on your dreams, don’t shout out in the midst
of your final notes, “Cut the rainbow!!”
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