Here’s a little confession that won’t surprise anyone who
knows me or reads these blogs. There’s some little switch in my mind that turns
the simplest little act into a blueprint for future world peace and harmony.
It’s the thing that makes me vulnerable to romanticizing cultures and has me
wishing that all the world would educate like Finland, would eat three-hour
dinners with family and friends like Spain, would create a life
filled with meaning and connection through arts, ceremonies and rituals like Bali. (And don’t feel left out, all my friends from different
cultures— there’s something from everywhere if I kept going.)
But the danger in such over-generalizations are several:
1)
Once someone lifts the rug to see what has been
swept under or opens the closet door to
reveal the hidden skeletons, it tends to negate all the very real positives.
reveal the hidden skeletons, it tends to negate all the very real positives.
2)
Even if a culture created a shadow-free utopia
(which it can’t), another culture can’t simply imitate it. Doesn’t work, never
will.
3)
Most the gifts of culture are invisible to the
people living in them, the water in which they swim, the air which they
breathe. Tell them they’re living in paradise and they’ll look at you puzzled.
Of course, such grand, sweeping appreciations of the big and
small gestures of distinct cultures are far better than the historical
dismissals and put-downs and condescending charity attitudes and forced conversions, be they
economic, political or religious. They probably help inch the world toward
better living, but what would be yet more effective?
This is on my mind because once again I’m struck by this
extraordinary island of Bali, not only the physical beauty and care in
presentation and vibrant and alive arts scene (which isn’t a scene at all, but
simply the way the Balinese have always lived), but by the overall lightness
and humor and smiles and apparent happiness of the people.
Today Talia and I came upon a fancy hotel in our wanderings
and started walking a cinder-block path through the adjoining rice fields that
petered out. We adventurously tried walking on the edges of the terraces and
close to our destination of the hotel road, got stuck in some mud. A hotel
worker on the other side came close with an ear-to-ear smile and suggested that
it might be too slippery for us to pass. We were all laughing about it.
I can imagine a long list of cultures and sub-cultures
(anonymous for now) where such a man would have yelled at us to get the hell
off the property or shout at us and tell us we were idiots or shake his head in
disbelief at our stupidity. Instead we shared a laugh, turned around and made
our way back.
So back to my question. What makes these people so damn
happy? One thing that seems true is that the island is abundant with enough
food and there is very little evidence of big disparities in wealth. All the
compounds seem similar in size—no McMansions or tin huts that we can see.
Probably changing a bit now with the influx of tourism, but in all cultures a
well-fed middle class with neither extreme wealth nor extreme poverty makes for
a happier social setting all around. (I’ll qualify this by saying none of this
is backed up by extensive research, but just our impressions walking in and
around town, both now and in my previous two trips).
I know nothing about economics or how to effect change in
that realm. But the other realm— of a culture alive with music and dance and
sculpture and painting and artful handiwork in everything from folding a banana
leaf to hold food to elaborate palm-leaf origami-like decorations for the
temples— brings a sense of belonging and cohesion and connectedness and
spiritual uplift that simply can’t be achieved through economic means alone. And
that is very much in my realm of teaching music in a school. Both directly and
indirectly, Bali—and Brazil and the African diaspora and many other cultures—
have informed the community and ceremonial life of The San Francisco School. And
I believe it has helped increase the happiness of both the children who go there
and the staff that teach there.
As for Bali, the geometric rise of tourism could have been
the Coke bottle that sent the Gods crazy, but my first impression returning 28
years later is that it hasn’t. But who am I to say? I’m just happy that a man
smiled and laughed with us about being stuck in mud. Maybe I should just leave
it at that.
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