Milt Jackson. Stefon Harris. Bobby McFerrin. Keith Terry. Jackie Rago. Andy
Narell. Linda Tillery. Eddie Marshall. Marcus Printup. Rova Saxophone Quartet.
Fred Newman. Gee's Bend Quilters/ Singers. Baka Pygmies. Tibetan Monks.
These are just some of the illustrious musicians who have come to The
San Francisco School over the years to share their talent and genius with the
kids. And now we can add one more.
Tuvan throat singers.
Three Tuvan singers and one American, Shawn Quirk, came to school
yesterday and rarely have I seen the 100 elementary children who gather daily
to sing so completely mesmerized and moved by what they heard and saw. This
group, named Alash, is on tour and graciously offered to stop by. (The next
day, they’re going to L.A. to teach Lily Tomlin to throat-sing as part of some
Netflix show she’s working on!)
If you’ve never heard Tuvan singing, get thee to Youtube and prepare to
be amazed. It is one of the highly-developed overtone singing cultures, with
refined techniques that allow them to sing more than one note at a time and
make melodies with the overtones above the fundamental pitch. These three also
played a Tuvan drum, fiddle and banjo-like instrument. For me, one of the
highlights of the presentation was getting to sit in with them on my own banjo
and have the kids sing Oh Susannah.
When I introduced them to the kids, I said something like this:
Kids, the world is so much
larger and wonderful than you would ever find out just watching TV or listening
to the radio. There are remarkable cultures out there with incredible music and
stories and ways of living that we can learn so much from— or at least be
delighted by. There are also remarkable people that will never be famous in our
country that have remarkable talents to share. You are so lucky that today you
will get to meet some of these people and their culture. Enjoy!
Nomads who live on the plains above Mongolia, the Tuvans depend on and
revere horses. When introducing the instruments, Shawn told a beautiful story
about the fiddle with a carved horse’s
head. He told of a boy who witnessed the birth of a horse whose mother died.
The rich and greedy man in power told the boy to kill the baby horse, but the
boy secretly raised him instead. The horse grew to be beautiful and powerful,
but the rich man found out and hunted the horse down and forced him off a cliff
to his death. The boy, now a young man, grieved deeply over the loss of his
horse, but was visited in a dream. The horse told him to go to his body and make
a fiddle from his skin and bones and hair and in that way, the horse would sing
on in the fiddler’s hand and his spirit live on in the music. So every time
the fiddler plays, the people’s connection with horses and the whole miracle of
creation and the bounties of the natural world is affirmed and remembered and
celebrated. Beautiful.
But if the 100 children who heard the right story pass on its spirit,
the world just might continue its slow march to healing.
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