Last night I took part in a spirited and honest
discussion with nine white men about white privilege. We had the
luxury to quibble semantically about whether “privilege” was too accusing a
word and wonder what we were expected to do about it. Well, in a nutshell,
that’s white privilege. The luxury to choose whether to think about it or talk about it or act on it. Groups of
people that are marginalized in mainstream culture— blacks, Native Americans,
women, gay people and more— don’t have that luxury. We could agree about that
philosophically, but were left with “What to do?”
I wrote earlier about Truth and
Reconciliation, about public apology and will write soon about Bryan
Stevenson’s four suggestions for changing what so desperately needs to be changed
and has needed to be changed for so long. But I I left last night thinking
about grief and ghosts. I think it’s an important piece of the puzzle.
There is so much undigested grief in
this culture. Funerals are fast, quick and efficient, with a couple of cute
stories about the deceased person’s favorite cocktail. When people tear up at a
wedding or funeral, they often find themselves apologizing for emotion. The day
after 9-11, Bush urged people to go shopping.
The prevailing wisdom amongst mature
cultures is that grief is a serious business—and that’s why funerals in some
places can take up to three days or Jews sit Shiva for seven or West Africans
hire professional mourners in case there aren’t enough tears for the occasion.
As Martin Prechtel points out, the tears of the people left after death are the
oars that row the deceased across the ocean of death to the beach of stars and
the ancestors eagerly awaiting. Without sufficient grief, we create ghosts who
linger and haunt us because they can’t get across and complete their journey.
When I visited my one and only slave
plantation in Louisiana, the tour was all about the ghost story of a slave
murdered by her master (who also slept with her) and came back to haunt him. My
friend who was with me afterwards commented on that story as a screen to hide
the real ghosts of every single slave who ever worked that plantation. It had
been turned into a titillating bit of tourist fluff to avoid looking at the
real horror.
The lack of Truth and Reconciliation
continues to screen that horror we’ve inherited. The missing government apology
is the political side and important. But equally important, and perhaps more
so, is the spiritual side of going down deeply into that grief and feeling the
full pain, not only of the slaves from hundreds of years ago, but for the
family of Michael Brown last year.
In my jazz course each year, there
comes a moment where the grief enters the room and we all feel it and sit with
it a bit. It’s heavy and uncomfortable and real tears flow and we don’t
apologize for breaking down. But blame, shame, guilt are not the end of the
matter— a little of all is necessary, I believe, but does not bring the healing
we need. At the other end is hope and redemption. And so this is the moment
when we sing this song and dance it out and lift ourselves up having paid our
dues to go down into grief.
Little
Sally Walker, sitting in a saucer.
Crying
and a-weeping over all she has done.
Rise,
Sally, rise. Wipe those cryin’ eyes.
Turn
to the East, Sally. Turn to the West, Sally.
Turn
to the very one that you love the best.
It was good that we had a difficult
discussion yesterday. But for me personally, amidst the defensiveness and sense
that we couldn’t solve it and acknowledgment of complexity, I felt something
important missing and I think this was it —grief. A sense of shared grief over
what’s gone down and what’s going down and the courage to feel it and sit with
it and not try to solve it. Of course, feelings can never be mandated, it perhaps
wasn’t the right moment in this particular discussion for such sorrow to arise.
But I missed it. I felt the ghosts
hovering in that room, waiting for us to help them. I felt the
presence of the ancestors saying to us all: “There is more work for you to do
here.” And I think they’re right.
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