A friend on
Facebook was recently lamenting that he was feeling more miscommunication with
both friends and strangers living under this new authoritarian government. And
so the question comes up: How to
maintain a civil discourse and respectful interactions in a time when civility
from our leaders has descended to the swamp level and every day goes lower? How
to keep the needed level of outrage without it leaking into personal
relationship and our own psychological health?
Yesterday I gave
a one-day Orff workshop at a Conference that was mostly held in the DeVos
Conference Center in Grand Rapids, Michigan. A building named for a person who
had money and was put in charge of the souls of our children simply because she
was rich. I was here to help music teachers improve their teaching and while
some of that meant the details of creating fun, inspiring and musically
satisfying activities, the greater mission for me always is to help them to remember
what their real job is. To give their children the opportunities discover and
reveal the beauty inside them waiting to be released, to see their children, to
know them, to praise and bless them. And thus, to love them. Children who are
seen, known, honored, respected, valued, praised, blessed and loved are
children who feel welcomed and now have the possibilities to see, know, praise,
bless and love their fellow students. Children who are firm in their sense of
belonging have no need to harm, insult, dismiss, ignore, disdain others, have
the possibility of growing to be the future citizens we need, people firm in
their sense of belonging who have both the curiosity and generosity to invite
people different from them into that belonging. And by belonging I mean a
proper belonging where you don’t have to
check your thoughts, feelings, religious beliefs, sexual identity, etc. at the
door to be allowed into the gang, country club, good ole boys club, etc.
But right next
door to where I was teaching was a building named for a woman who supports
giving taxpayer’s money to a public charter “Christian” school in Indiana that
explicitly forbids children with any connection to gay or bi-sexual people (ie,
themselves or their parents) from attending their school. A woman who has no
qualifications whatever to weigh in on effective education besides her big
money background and her willingness to rubber-stamp the Conservative agenda (Conservative
as in conserving white privilege and big money privilege and heterosexual
privilege and etc.) and is now actively seeking to reduce funding for arts
programs and such. How to express proper outrage over this betrayal of our
children’s needs while maintaining civility?
Well, that’s my
challenge in my workshops. I’m not there to push my views and my first job is
to offer great musical material (the what), a dynamic process of presenting and
developing the material (the how) and the food-for-thought about the big
pedagogical ideas behind it all (the why). I take that seriously and believe I
do it well. But interlaced with the activities are the comments and yes,
sometimes making the connection with the current political scene without being
too overt.
For example, in
demonstrating music’s unique demand that voices, rhythms, text, dynamics, etc.
blend into a unified whole and the beauty of feeling a small part of something
larger and wondrous, I also show how one person has the power to bring down 100
people if they don’t align themselves with the community task. So I ask
everyone to sing Twinkle Little Star
and miraculously, if you think about it, they all sing in the same key at the
same time with the same text with blended voices. They then sing again and I
sing out-of-tune and what was once beautiful suddenly is not. One person can do that. Next time I sing
at a different tempo. Same effect. Next time with a different text. Also. Next
time I sing very loudly so my voice dominates the others (and even more so
because I have the power to hold a microphone) and comment,” You see how in
this case, I was like a big bully thinking my voice was more important than
yours and ruining the feeling in the room by make it all about me, me, me. Like someone pushing someone else out of the
way to get his photo taken.” A few giggles from those who remembered Trump
pushing aside the Prime Minister of Montenegro at the photo shoot. That’s the
kind of political comments I make, so people can see that act from the Twinkle Little Star point of view.
But I was in
Michigan after all, a state the disappointed me (and so many others) in the
2016 election, and I wasn’t feeling the same kind of energy coming back to me
that I did the week before in Oregon.
Should I shut up? Heck no!! But I did need to win over their hearts and
minds, first and foremost from treating them as I treat the children, giving
them the opportunities to express themselves beyond the norm and feel valued
and welcomed and surprised by their own beauty. As the afternoon went on, I
could feel that happening and by the time we ended with the stirring Build Me a Mountain song, I felt them
singing with great passion my verse “Gonna speak some truth here, from a lot of
lies. Gonna speak some truth here, so we all can rise…” Yeah!
And then ended
with some final words:
At the end of the day, it’s not about this
group versus that group, the constant squabble between political parties,
religious groups, ethnic groups, etc. It’s about what we need to do to make it
on this planet, how to be together to not only survive, but to thrive. And as
people who were called by the noble profession of teaching, I believe you
signed up to believe in the promise of young children and how to bring them
into their best selves, slowly, with patience and long years of believing in
who they are. Next time you hear of a decision being made or a policy proposed,
think of your children, visualize their faces, imagine how they would vote.
They don’t have the power to weigh in on the conversation about their own
future and they’re depending upon us to speak on their behalf. Let’s take that
seriously.
Uh-huh. Oh yeah. All right. That’s all.”
So that's my version of Civil Outrage. What's yours?
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