Saturday, May 11, 2013
Friday, May 10, 2013
Bella Notte
It was my last night with little Zadie before another
separation of a few months. Mama, Mima and Tita (Kerala, Karen and Aunt
Talia) had gone off to hear Fran
Lebowitz speak, so it was to be our special night together. We began with some
piano playing, putting rocks in containers and taking them out, taking the lids
off Tupperware and putting them back on— you know, the usual 18-month
entertainment fare. But tonight I had something special planned— to watch our
first movie together.
People who know me may be aghast. Encouraging an 18-month
old to stare at a screen?
Well, everything in balance and let’s face it, we had had a
full week of live music and dance, walks in the park, playing in the playground,
throwing and fetching the ball, hugging and snuggling and giggling, working on
vocabulary (added “shoe” “Hey, you!” and “I love you”) and more. We earned a
moment lost in the magic of the silver screen, even if it was on our old TV.
So we settled down for a Friday night viewing, sprawled out
on the living room floor and heads together on the pillow watching the old
classic, “The Lady and the Tramp.” For the first 45-minutes, Zadie’s running
commentary (every 20 seconds or so) was “Doggie!” We then added “water” and
“uh-oh” and had ourselves a delightful time talking to each other and
thoroughly enjoying the show. Truth be told, it kind of felt like my first
genuine grandpa moment, a special moment together that we both felt as such—
well, in my fantasy, at least.
When the gals game back, there we still were, me on the
floor sitting on a pillow with Zadie on my lap while Tony sang with his
accordion to Lady and the Tramp—“This is the night, such a beautiful night and
they call it bella notte.”
And it was.
Wednesday, May 8, 2013
Sacred Space Re-Sanctified
In 1969, a group of visionary parents
bought a church on a little street called Gaven St. and turned into a school.
When I arrived in 1975, I was given the room that used to be the chapel for my
music program. That always felt right, since each class well-taught and
well-received (and it was a bumpy road for awhile!) felt like a worship service
minus the dogma and theology or the need to put a name to the sacred forces
behind joyful expression and expressive jubilation. At the party celebrating my
20th year at the school, I gave a speech about the music room, the
space where so many miraculous works unfolded and named some of the memorable
ones. Almost 20 more years since then, the walls hold yet more records of what
the human spirit unleashed can accomplish, from children and adults alike.
And today, another sacred event was
added to the room’s memory as my granddaughter Zadie walked through the doors.
She sampled the xylophones, the piano, the drumset, the congas, the shakers and
the wind chimes, enthralled with all the different voice available to sing the
spirit. She danced to the 7th grade’s music, helped me teach Table
Rhythms to the 8th grade, sat on the choral risers with the 5th
grade. But the highlight was the spontaneous circle of 100 elementary kids who
gathered around her at Singing Time and sang to her while she danced in the
middle. They then stood up and copied her movements while I played “Yes, Sir,
That’s My Zadie” on the piano and a more hilarious and sacred event would be
hard to come by. The girl is not shy!
This day with Zadie will take its
place amongst the potent sacred history of the SF School Music Room, join the Graduations and Samba contests and Cookie Jar contests and Halloween
extravaganzas and Martin Luther King ceremonies and exalted guest artist moments
(Milt Jackson, Bobby McFerrin and beyond) and singing fests and adult workshops
and quiet tender moments in the daily music classes and Sofia’s choir singing
last week at Grandparent’s Day and James’ Golden Gate Bridge project
presentation last year and farewells to beloved teachers, the whole heart and
soul of a community gathered in this old chapel made sacred anew each day truth
is told and sung and danced and witnessed by the community together.
Zadie spent five hours at the school
surrounded by adoring children and teachers, dancing her heart out, visiting
the bunnies and geese, uncapping markers and capping them back up again. When
we left, I put her in the car seat and she was asleep after five seconds. She was riding high on Spirit, but
even Spirit could use a nap once in a while. Thanks to my darling granddaughter
for yet another taste of the sacred in ye old music room.
Monday, May 6, 2013
The Loves of My Life
This morning, I
pushed my granddaughter Zadie in a stroller through the park. The flowers were
blooming, the bees were buzzing, the air was fragrant. She sang from her seat
and I sang back. Every chance I got, I kissed her smooth cheek, the unwritten
page of her life to come, and reminded her that I loved her.
This afternoon, I pushed my mother Florence in her
wheelchair around the grounds of her Old Age Home. The flowers were blooming,
the bees were buzzing, the air was fragrant. She commented in pithy one-liners
from her seat and I sang to her. Every chance I got, I kissed her rough cheek,
lined with her 92-year story, and reminded her that I loved her.
And then, I brought the two of them together and played
piano while my Mom clapped and danced in her chair and Zadie clapped and
twirled and jumped and rocked and ran around, to the utter delight of all
present. My Mom kissed Zadie’s cheek and told her she loved her and we lifted Zadie
up to return the favor (though not quite in her skillset yet at 18 months old).
I believe they both understood each other perfectly. And so did I.
The Zombie Apocalypse
People sometimes ask how I write these blogs and the
answers are varied. Often, I have some experience that merits reflection or I
read an article or poem or book that invites further thoughts or I write simply
to survive, to sort out the seeds of a situation. But sometimes it happens that
a title presents itself to me and then I figure out what to say about it. When
my daughter casually mentioned something about surviving the Zombie Apocalpyse,
I knew a blog was soon to follow! Great title! (And also a good name for a rock
band.)
First, I had to do that
painstaking 10-second Google research. I thought Zombie might refer to people
walking around brain-dead and be a great metaphor for the victims of conformity
education. But hey, it’s the U.S. of A and nuanced metaphor isn’t our strong
suit. Instead, I found the references to all the horror films like The Night
of the Living Dead and some tips on how to outrun the ghoulish creatures
and such, with the tongue not wholly in the cheek.
So it turns out that Zombie isn’t
the most accurate description of one who is sleepwalking through this life.
There is a Haitian Voudoun version that came from earlier versions of the Congo
and some of these descriptions are similar to the Buddhist Hungry Ghosts. What
I’m thinking about, though, and running into more often than I care to, is best
described in the movie The Stepford Wives, a Grade B underground classic
about women in a suburban town who undergo an operation to be robotic
non-thinking obedient husband-pleasing companions. They look like us and talk
like us, but there’s not an original brain-cell in their body. They’ve always been with us—both men and women. I’ve met them at the Russian
Consulate, Heathrow Immigration and all those places where people are trained
to go by the book when the situation demands reading in-between the lines.
But now they’re creeping into
places they don’t belong. Their arms aren’t outstretched, there is no blank,
vacant stare on ghastly faces. In fact, they might be smiling. There’s always something up their sleeve
and it’s not their heart. They hide behind the official language of doublespeak and claim to be transparent when they couldn’t be more opaque.
Saturday, May 4, 2013
Another Vote for Beauty
“Beauty has no obvious use; nor is there any clear
cultural necessity for it. Yet civilization could not do without it.” —Sigmund
Freud: Civilization and Its Discontents
“You are always eager to make everything useful, yet here
is a useless plot. It would be much better to have salads here than bouquets.”
…the bishop replied, “You are mistaken. The beautiful is
as useful as the useful.” He added after a moment’s pause. “Perhaps more so.” — Victor Hugo: Les Miserables
It took a visit from my wife’s cousin to get us out of our
routines and be tourists in our town. We did ye ole Lombard St. run (and
distraught to see the Vertigo house had been changed! Sacrilege!!!) and headed
up to Coit Tower. With the bonus of yet another rare warm San Francisco night,
we stood in awe of the Bay Bridge below, its newly created undulating lights
our destination.
For you out-of-towners, the bridge lights have been
described as an “iconic light sculpture” designed by the artist Leo Villareal.
Using LEDs (light-emitting diodes) and computer-driven imagery, the lights move
in long-looping patterns, sometimes looking like fish swimming across,
sometimes exploding into dazzling slow-motion fireworks. The effect is
mesmerizing and stunning, especially viewed from Coit Tower on a warm Spring
night. We “oohed” and “aaaahed” alongside many other folks who had chosen to
spend Friday night witnessing a spot of beauty to cap off a week of work and
open the door to the weekend. Lovely.
Over on the other side stood the Golden Gate Bridge, that
other icon of dreams and grace and splendor looking a little forlorn. We were
imagining its younger Bay Bridge sister, always the neglected one, shouting
across “In your face, batch!” Even in beauty, I suppose the seeds of envy,
bitterness, revenge are present.
In my TEDx talk on “Why Music in Schools” (still time to see
it! Just google me and TEDx Conejo), I ended with Beauty as one of the
compelling reason for arts education. When I introduced the Spring Concert the other night, I
spoke of this again, invited the audience to notice the many faces of Beauty
the children would be showing them. Not only the beauty of each piece of music
calibrated to the child’s level of understanding, the dances, the songs, the
games, the choreography, the art work slide show, but also the connected “ands”
between them all. And not only the material, but the beauty of each child and
the particular way he or she receives it and expresses it. And not only the
quiet moments of beauty that bring the house down to a hush, but the humorous
ones, the boisterous ones, the swingin’ ones, the zany ones, the driving
dynamic ones. All the many faces of beauty.
The Bay Bridge lights are scheduled to be displayed for two
years, thought it’s hard to imagine shutting them down when the time is up.
Well worth a trip to Coit Tower. Put it on your list.
Thursday, May 2, 2013
The Broken Mallet of Doom
It doesn’t take much to make me
happy. Yesterday found me in deep meditation about how to fix what didn’t work
in the Spring Concert rehearsal with the kids— with a two-hour deadline before
performance that night! I hit upon the three things I needed— a fake beard, a
pig nose and new vibraphone mallets. Just what you were thinking, yes?
First stop at Cliff’s Hardware
yielded one and a half out of three— got the fake beard, but had to settle for
a pig pacifier. Then to Haight Ashbury Music Center and as my cynical self
suspected, they didn’t have the precise mallets I needed. But I tried out a few
pair and found something I thought even better. Things were looking up! And
then a couple of doors down, I popped into Mendell’s and voila! just the pig
nose I needed! The skies parted, the trumpets sounded, celestial light flooded
over me— I was a happy man.
Turns out that indeed, the pig nose
and fake beard helped save the day for 2nd grade and the new
vibraphone mallets helped as well with 4th. My colleagues’ work with
1st, 3rd, and 5th was simply breathtaking and
the whole evening a wonderful affirmation of why I’m in this line of work. But
no time to relax yet— tomorrow was the Middle School rehearsals and that night,
their concert.
And so I woke up with concert details
on my mind and on a rare warm day, mounted my bike to ride to the Brava
Theater. The 8th grade’s version of “Love Is Just Around the Corner”
was singing in my mind, I was enjoying the flow of fellow bicyclists and loving
my city in its summer clothes. And I was thinking about those vibraphone
mallets, and how happy I was going to be to show them off to the 8th
graders. Like I said, it doesn’t take much to please me and I have a special
affection for a new pair of just-right mallets for the vibes.
I entered the theater with a spring
in my step, greeted my colleague Sofia and within one minute of starting to set
the stage, she showed me something: a broken vibraphone mallet! Yes, the one I
had just bought that had been used for exactly two pieces last night! And yes,
they were the last pair at the Music Store and no, no other store in San
Francisco carries them, and yes, the concert was tonight.
My fall from light and bright to doom
and gloom was swift and devastating. I was crushed. What have I done to deserve
such pain and sorrow?! How I needed to be happy for more than five minutes! Was
that too much to ask? And by the way, just who or what am I asking? Never been
a big fan of the Supreme Being, who if he/she/it exists must have more important
things on his/her/ its mind than my broken mallet (or the equivalent of 7
billion broken mallets to contend with). I do have a sense of angels and
helping hands and karmic flow and muses and lost twins and inner voices worth
listening to, but what exactly are they all trying to tell me? And why am I
failing all their tests so miserably?
Well, with two hours before concert
time, there’s no time to ponder that. I need to pay attention to whether a
djembe played with brushes is a suitable replacement for the missing snare drum
and how to position the piano so the sightlines work. Wish me luck.
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