I love how you can say something with such conviction that it’s right— like yesterday’s assertion that “there is no replay button”— and then turn around and say, “Well, actually, there is.” Not in our lived life, but in our creations that last beyond our mere mortality.
Last night was the Academy Awards and my favorite part is always the memorials to those who have passed on. They are gone, yet there they are on the screen, forever younger and forever still with us. As we mourn the passing of Rob Reiner, Diane Keaton, Robert Redford, Robert Duvall and more, there they still are, larger than life and longer than life, on the big screen. Same with Chick Corea, Jack De Johnette, Hermeto Pascual, Bob Weir and more— play their CD’s and there they are. And so on with the poets, novelists, composers, artists. Art as a pathway to some form of immortality.
Likewise, the photos of family and friends now gone that hang on our walls as a way to keep them forever with us. Also continuing to tell stories about them to others who knew them or ever some who didn’t.
Alongside these blogposts, my books, The Secret Song film, the Podcast and perhaps someday, some published versions of my poems, are 26 recordings of music I made with children at The San Francisco School (one of the best kept secrets in the Orff world). After recording them at the school, James, Sofia and I would go to Duncan Street Studio to have John Blakely mix and edit them and order them and get them out into their final form as a cassette tape (14 of them) and later, a CD (12 of them). He had these photos on his wall that he never took down, so year after year, I re-visited them like old friends. And then one year (2010, to be exact), I wrote this poem, in the style of Billy Collins.
IMMORTALITY
I am back in Duncan Street Studio
Where I have come once a year since 1987.
If I tell you that today’s date is May 26, 2010,
I’m sure you can do the math.
A large computer sits where the reel-to-reel equipment once was,
but the postcards and album covers on the wall are the same.
John the engineer is now 65 years old
And I am no spring chicken myself.
But John Lennon, standing with his arms crossed, sunglasses on
and a New York City T-shirt that doesn’t need washing, hasn’t aged a bit.
Neither has Smokey Robinson and his Miracles, looking out in the distance with rosy smiles, confident in their beckoning future.
Picasso is his familiar old self, with bread-dough fingers splayed across the table.
And speaking of fingers, Sammy Davis Jr. is stretching his out to the audience in
ten different ways and shows no signs of getting tired.
I’m pleased to see that the woman revealing her ample breasts on the cover of Stag Party Special is still as voluptuous as ever.
It all makes me think that I should put my photo on the CD cover in hopes that someone will put it on the wall of some basement recording studio,
where some future music teacher will come back year after year and
notice how he is aging
And I am not.