The constantly changing views of the Dolomites as we bike is feast enough for the eyes. But today, I had the most remarkably aesthetic visual arts experience of my life. Far from a dedicated museum-goer, I’ve done my fair share and believe I’ve seen most of the top-100 paintings in museums far and wide. But today, almost by chance and certainly a spontaneous casual decision, three of the seven fellow riders decided to detour to see some murals in three small hill towns—Masarie, Pianezze and Cibiana, to be exact. I chose to go mostly because we were getting close to our destination and I didn’t feel finished with biking, especially as the sun had finally emerged and not a drop of rain all day. Also, I noticed the detour included a long steep uphill and I love the feeling of switching to Turbo on the e-bike and gliding upwards.
So off we went, my wife Karen and Terry, little imagining what lay ahead. We found our way into the first town and lo and behold, there were some murals on the exterior walls of houses that were impressive and captivating. We parked the bikes and started strolling and there were more around every corner. The town itself felt wholly deserted. Certainly not a single tourist, but also very few townspeople out and about and everything looking closed.
But no matter. The murals continued to astonish us and then we realized there were two more towns in shoutin’ distance with more. By the end, we had seen 60 or 70 and taken 90 to 100 photos.
What precisely made this so different from going to the Tate Museum in London (which we just had) or the Guggenheim in Bilboa or the Museum of Modern Art in New York or the Louvre in Paris? (I could go on. There’s a lot of famous museums in the world!). It’s worth it to try to articulate it, but much better with photo examples. As this will take a little time to select key ones and comment on them, I’ll just share screenshots of the photos I took today without comment and if there’s time after tomorrow’s ride, do my homework.
Stay tuned.














