Today’s xylophone class was titled, “Where’s the
One?” A frequent question from Western musicians studying African music and I
count myself at the head of that line. It’s maddening to hear a melody one way
and realize it’s “wrong” in terms of the grammar, syntax, relationship to the
bell part and the dancer’s feet. My mission in life, whether it be teaching a
little Ghanaian pattern or raising a toddler, is “get it right the first time.
Because it’s very difficult to change it around in your head (and body) once
your brain has wired it one way.
From there, on to the Ghanaian recorder, the atentenben.
Different fingering and different concept of in-tune and both were interesting.
But the lesson was mostly reading from a book, a familiar— and comforting for
some— practice for us music teachers.
From there, we traveled to a local school, where we
were greeted with throngs of people of all ages who were… well, take a
guess. Playing, singing and dancing as we arrived, invited us into the center
before the festivities formally started. We then were treated to a skit
performed by the older kids theater class, that began with a homeless looking
fellow grabbing his crotch and the pulling out a wooden dildo and stroking
himself. Right in front of the principal, who was sitting there smiling while
we all exchanged glances that translated to “What the heck?!” A story unfolded
about different people’s relationship with this obviously crazy fellow and
proceeded towards it moral conclusion: the bad mother tried to poison the crazy
man with bread and her bad child stole it from him, unknowingly ate it himself
and died. The moral was: take care of everyone in your community, even the
crazy man.
Kofi later explained that political correctness has
not quite come to Ghana yet. Anything is fair game as long as it’s attached to
a moral. Life for the children is out in the open— they are not
overly-sheltered and know about things like death, sex and drinking— not
to necessarily lump those three things together! While I have to confess that
though I often take things to the edge of appropriateness and felt mildly
uncomfortable with the ever-reappearing dildo, I appreciate some of this point
of view. Our Puritan ancestry pops up time and time again in American culture
when people suggest you can’t sing a song to children about beer or play a
Bessie Smith blues for 8th graders because of the subtle sexual
innuendos. But meanwhile, the same parents that protest let their kids close
their door to their room and bathe themselves in graphic sex and violence
available at a button push. Without a moral attached or the company and
guidance of an adult. If I had to choose between the two, I’d go with the
Ghanaian way. But I’d still lose the dildo in the next skit— especially one
performed for guests!
Meanwhile, the play ended, the kids introduced
themselves and the crazy man said “I played the mad man but I’m not a mad man
in real life.” There you go. He got the message. James, Sofia and I had
prepared a few games to play with the kids, but we thought it would be inside a
school in a classroom. Instead, we came into the open center under the trees
and invited a few kids in and soon had hordes of them to play “Soup, Soup,”
“Draw Me a Bucket of Water” and “Pakatumbe.” The kids picked it all up with
lightning speed, both the motions and the words and it was no
surprise— kids in oral cultures are masters of kinesthetic and linguistic
intelligence, fluent in reading and imitating body language and quick with
their ears with oral language. From there, on to general dancing and the woman
who sat next to me for much of the ceremony with affectionate glances was
tickled to finally see me dance. We had our photo taken and she asked that I
send her one. Soulmates transcend borders— so fun to feel that instantaneous
but passing connection in a mother/aunt/ sister kind of way.
By this time, our class of 35 was spread out with
various clusters of kids around them, playing games, taking photos, chatting
and so on. Kofi said that this will be an unforgettable experience for some of
these kids. Dzodze is far from being a destination for Western tourists (we
haven’t seen a single one yet), so indeed, some of these kids were seeing white
skin for the first time. We reluctantly parted and returned to the hotel.
Evening was another performance, but it began with
a group of us in a circle of chairs spontaneously playing some cute games: “Big
Booty,” “Bippety-bop”, “I Love You Honey.” This blog too long to go into
details, but as the performers came, dressed in their dancing costumes with
markings on their face, they ended up joining the circle and playing with us. It’s
one thing to watch them dance and marvel at their otherness, but ultimately
more satisfying to have one of them hold your hand, look you in the eye and
say, “I love you honey,” hoping to make you laugh so they can get a point.
From the games to another stellar performance and
so ended the day. Lots of fun and food for thought.
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