The day that began with this morning’s entry at
rooster crow is drawing to a close with a replay of the U.S. / Germany World
Cup game on the TV screen in the airport lounge. It was a long bus ride that included
a short ferry trip, chatting with the women with their incredible wares on
their heads while waiting for the boat, a man pounding fufu, the Volta River
flowing by. Fun games on the bus— the kind where you have to guess a pattern
and usually look for something quite complicated only to discover the simple
key. (Things like “I like coffee, but not tea. Kittens, but not cats. Jazz but
not blues.” Get it? It’s all about double letters.) Very nice vibe with these
folks that have been around each other 24/7 for some two weeks and still
enjoying each other. Closing my eyes to nap, I heard the murmur of conversation
like a gentle flowing music and it was lovely.
Finally we arrived at the Lincoln International
School, stretched our legs, had a little lunch with salad! Then the Orff
instruments in a big circle on an outdoor verandah and the chance to apply
things we learned on the 21 Ghanaian xylophones (gyils) to the Orff
instruments. Fascinating how the buzzing sound of the gyils, at first harsh to
Western ears, became the norm and the Orff instruments sounded a bit wimpy with
their “pure” tone. But still, it sounds pretty good and helped everyone
understand how to adopt and adapt. This whole phenomenon of the grandparents of
the Orff instruments coming full circle as the latter play the former’s music,
is an entry in itself. Not now.
14 kids came, James and I led them in some
xylophone improvisation and they did well.
No fancy tricks, no complicated sequence, just
plunk your hands down and search for the secret song inside the xylophones. How
will they know they’ve found it? Simple. By listening. And then their mind
needs to click in and try to remember any patterns that have emerged. Easy as
that— explore with your hands, listen with your ear, remember and keep shaping
with your mind. The kids get it— and some good music emerges. But because it’s
so simple— like those punch lines in the bus games— we miss it and come up
with national standards and core curriculums.
And so it came time for the closing circle. Lovely,
short sharings about people’s key moments and profound experiences and lots of
tears flowing. I delivered most of mine in a high incomprehensible voice because
the occasion was too large for me. Tying together my legacy with my first
African-American Orff teacher, Avon Gillespie, to meeting SK and Kofi and all the myriad threads that tied me to
Africa, these two weeks were like the kente cloth of my life’s mission, weaving
them all together into a glorious and colorful pattern. Each day was
extraordinary on multiple levels and words simply fall short. Nothing to say
but “Akpfe!” and offer my gratitude to all who made the first Orff-Afrique
Course— which is to say everyone who came and everyone who welcomed us—the
resounding success it was. Hope and healing is restored to our broken world and
how lucky that I got to be a part of it!
Thank you so much for sharing this maiden voyage with us. Can't wait to hear more.
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