Facebook is a hall of mirrors, all
mutual friends mostly reflecting back their agreed-upon values. But sometimes
an outsider sneaks into the funhouse and then things get interesting.
Disturbing, mostly, but important somehow.
Here is a photo I saw in Facebook.
And my comment:
Hilarious. But sad
that such a sign is needed. Love the imagination of the people who are actually
thinking and feeling this unacceptable situation through instead of hiding behind
the same old cliches of their "2nd Amendment rights." Carry on!
But then someone—let’s
call him a random name like Kerry M. Collier— replied to my comment:
So you have a problem
with people not wanting to lose freedom? What trash you are.
Well, wasn’t that a lovely response. I know it’s fruitless
to engage, but I wrote anyway:
Freedom to kill
children with an assault rifle is a sorry kind of freedom. And thank you for
your kind personal attack. I hope you don’t own an assault rifle.
What I’ve loved about every march I’ve been on is the
immense varieties of signs— clever, witty, poignant, personal, imaginative.
People responding honestly from their personal experience to something going on
around them. What drives me crazy about the right-wing response is the
predictable clichés—“Guns don’t kill people. People kill people.” “Don’t take
away my 2nd Amendment rights.” And so on.
So beneath the surface of any particular issue—gun control,
black lives matter, me,too, immigration, etc.—lies people exercising their
”free speech” to parrot back the clichés fed to them from right-wing talk radio
and Fox News. They’ve given up their capacity for independent thought and
hidden behind some statement that excuses them from having to consider the
matter or care about the people affected by the issue. Amidst many ways to read
our current predicament, failure of imagination is not one that people are
talking about very much. But consider:
In his book “The Educated Imagination” published in 1964,
author Northrop Frye makes the following statements that leap over a half a
century to us today:
• There’s the use of
cliché, that is the use of ready-made, prefabricated formulas designed to give
those who are too lazy to think the illusion of thinking.
• If our only aim is
to say what gets by in society, our reactions will become almost completely
mechanical. That’s the direction in which the use of clichés takes us. People
who can do nothing but accept their social mythology can only try to huddle
more closely together when they feel frightened or threatened and in that
situation their clichés turn hysterical.
• The area of ordinary
speech is a battleground between two forms of social speech, the speech of a
mob and the speech of a free society. One stands for cliché, ready-made idea
and automatic babble, and it leads us inevitably from illusion into hysteria.
There can be no free speech in a mob. Nobody is capable of free speech unless
he knows how to use language and such knowledge is not a gift, it had to be
learned and worked at.
• There’s something in
all of us that wants to drift toward a mob, where we can all say the same thing
without having to think about it, because everybody is all alike, except people
that we can hate or persecute. Every time we use words, we’re either fighting
against this tendency or giving into it. When we fight against it, we’re taking
the side of genuine and permanent human civilization.
• Consequently we
have only the choice between a badly trained imagination and a well-trained
one.
To summarize:
The imagination is not a flight of fancy that is dispensable
to the human being. It is a faculty that shapes thought, that touches the heart,
that allows for civil discourse. The ability to imagine the other and feel
their sorrows and joys, the ability to imagine a solution beyond yesterday’s
idea, the ability to imagine a world better than the one we inherited, are all
skills that can be and should be consciously cultivated and crafted in the
institution we call school. It is the only defense against brainwashing, against
mindless compliance, against uncaring acceptance.
The uneducated imagination doesn’t mean that someone doesn’t know how to write a poem or improvise a jazz solo. It means they have left fallow their capacity to fully think and feel and if they have the power of a vote or own an assault rifle, it means they are a dangerous person, able and willing to harm others. As schools lean toward right answers correctable by computers, cut arts programs, ignore artful teaching in any subject, they rob children of their imaginative birthright and pose a danger to society.
The uneducated imagination doesn’t mean that someone doesn’t know how to write a poem or improvise a jazz solo. It means they have left fallow their capacity to fully think and feel and if they have the power of a vote or own an assault rifle, it means they are a dangerous person, able and willing to harm others. As schools lean toward right answers correctable by computers, cut arts programs, ignore artful teaching in any subject, they rob children of their imaginative birthright and pose a danger to society.
And when an authentic idea meets a cliché, the cliché-user
feels threatened and turns hysterical, foregoing conversation and going right
to “you’re a piece of trash.” Kerry M. Collier, what happened to you? It’s not
too late. Come to my Orff workshops and let’s see if we can awaken an
imagination beyond the party line. Meanwhile, the rest of us would do well to
remember John Lennon’s suggestion:
Imagine.
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