I’ve
been noticing a strange phenomena lately—children in my music classes thanking
me at the end of the class. 5-year-olds, 4th graders, 8th
graders, no particular pattern to the age. And all without promise of reward or
threat of punishment. An authentic sincere thank you as they go out the door.
Not the usual M.O. of our school culture. What’s going on?
Hard
to say this without appearing too prideful or full of myself, but I think it
has to do with the fact that I am at the top of my game and the 41 years of
polishing each class like a precious jewel has paid off. I know how to bring
them further into the music than most every thought they could go and that’s a
big part of what they’re thanking me for. And it’s not just about the yee-haw!
fun of it all. Today I gave a 4th grade class that was a model of
the precision stage of teaching, taking one melody and having them read its
rhythm on the board, sing it with solfege, sing it with the text, play it by
reading on the recorder, play it with eyes closed, play it while walking to the
beat away and back to their place, play it at slow, medium and fast tempo,
figure it out on the xylophone, play a version with passing tones, move
seamlessly back and forth between playing it on recorder, on xylophone,
singing, with all different combinations of orchestrations. Etc. At the end, a
boy I’ve taught off and on for seven years said, “This was the best music class
of my life!” I think he was amazed that he could actually accomplish all those
varied ways of playing the songs and dang, it felt good!
Meanwhile,
in 8th grade, kids have just about mastered blues form and specific
blues piece in three classes and sound great, they’ve discovered the difference
between Big Mama Thornton and Elvis and realized that so many classic rock
songs they know are actually 12-bar blues. The 5-year-olds had the time of
their life exploring the thousand things you can do with a hand drum—which
included sitting in it to row their boat, skating in it with one foot, rolling
it on the floor with a mallet, pulling it like walking a dog, dancing around
it, jumping over it, balancing it on a body part, using it as an umbrella or
soup bowl or Frisbee (without throwing it!), all while singing songs they know
and dancing expressively. The thank-yous at the end were their appreciation
that I understood what they liked and how they thought, that I could reveal
familiar things in a new light, that I had a spent a lifetime figuring all of
that out and was still happily dedicated to offering it to them.
What
is the gift of longevity? With the proper attention and habitual intention to
improve, just a clarity of purpose, a clarity of process, a clarity of
pleasure. The kids know that I like them, am interested in them, am clear enough
about the importance of what we’re doing that I won’t tolerate nonsense. They
know I love music and dance and the surprise of creation and the fun of
invention and the satisfaction of good, hard work that gets results. What they
don’t know is how long it took me to arrive at this place and how I owe
apologies to all my former students! But I can’t see any other way to have
gotten here except through the muck and mire of mistake after mistake until I
finally found some solid ground.
The
past few years of my teaching life have been the most rewarding and satisfying
of my life, my relations with kids better than ever, my pleasure in every
single class without exception at its height. Does that sound obnoxious? I hope
not. I share it here just to let young teachers know it’s possible to feel
perpetually refreshed when you walk a path with heart, how in fact, things just
get better and better, how all the years of exhaustion, doubt, relentless work,
despair, all that steady pressure and heat of emotion do eventually form
diamonds.
I
can’t wait for my classes tomorrow!
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