I
have sometimes called myself a preacher without a pulpit. I’m ambivalent about
calling myself a preacher because of a wide range of associations with the
calling, ranging from the TV evangelist to Martin Luther King. On the negative
side, there is that sense of haranguing the audience, talking down to them, talking
at them. On the positive side (Dr.
King), there is the quality of unleashing your passion and letting some
mountaintop sense of truth, justice and beauty talk through you and lift the audience higher than the pleasant
conversational voice can take them. That sense of larger-than-life passion,
that theatrical side of public speaking is as true for the zealot and the
genuine spiritual leader alike. The difference is whether the sermon is for
self-glory, money, power, adoration or (in Joseph Campbell’s words)
“transparent to transcendence,” speaking on behalf of the voiceless, revealing
the truths deliberately buried in mainstream discourse.
In
my more generous reading of my own motives (and I hope this is true), I’ve
committed myself to speaking on behalf of children, of community, of art and
beauty and goodness and revelation and individual character and fun and humor
and play and jazz and social justice and–well, it’s a long list. But it’s all
tied together in the glorious multi-colored robe of a life in Orff-Schulwerk. And
so in the midst of my Orff workshops, while recognizing that people want and
need good material to take back to their class, that they need inspired models
of presenting and developing the material, that they need sound pedagogy and
clear steps and artful musical arrangements, all of what I strive to give them,
I also offer something that they didn’t sign up for— the deeper thoughts behind
it all, the reminder to re-focus on children rather than systems, develop
relationships rather than behavior management techniques, stand up for art as
its own field and not just a stepping stone to math scores.
And
because I hear, like I did today, discouraged teachers talk about all the
unnecessary hoops their schools put them through, the endless bureaucratic
mazes that lead nowhere and distract everyone from the real work at hand, I
can’t help but name the contrast between the multi-colored dreamcoat and the
deadly dull and spirit-killing drab uniform that schools keep wearing. I can’t
talk about giving children what they need without reminding us what we are
giving them in the form of addiction to machines. I can’t talk about meeting
folks with “nothing up our sleeve” without mentioning Ray Kroc of MacDonald’s
and the entire advertising industry that only cares to trick us for its own
profit. And so things get a bit edgy sometimes and no time to discuss it before
we’re off playing the next game.
So
in fact I have a portable pulpit that I carry with me, but the rub is that no
one is necessarily signing up for the sermon when they come to the workshop. If
you come to church, you can expect a sermon. If you come to a poetry reading,
you can expect poems being read. But when you come to learn a few cool games
for Monday’s class and the teacher (me) starts talking about the Spirit we
share regardless of the name we give it or planning classes that help you love
your students more and the like, well, it’s a bit edgy. But hey, I can’t help
myself and some people like it and some people love it and some people don’t
particularly enjoy it and some people hate it. And I don’t care. Because my job
is to say the things that I think need to be said that not enough people are
saying, things that always make sense in the context of the material we just
did and in fact, will help bring it more fully alive if properly understood. If
people just copy the steps without that deeper understanding, what’s the good
in that?
The good news is that I’m getting better at noticing when the eyes start to
glaze over and am always ready to jump immediately into the next song. My
pulpit is really a ping-pong table. The activity throws out the ping, the
reflection the pong, and back and forth they go.
So
that was my day in Chicago today, with 100 or so teachers at the Fall Workshop.
I started in silence as I always do, the first twenty minutes the wordless
sermon of great music and dance. And I ended with a lovely Estonian song sung
so beautifully by the teachers, heads laid on backs of the neighbors to feel
the full vibration and a few closing words about music’s power to transform us
directly, from vibration to vibration.
I
write this on the plane winging back, the traveling preacher with his portable
ping pong pulpit. I like it.
Thank you for sharing your knowledge and wisdom. Your sermon always fills my heart and soul with the joys of music.
ReplyDeleteThank you for sharing your knowledge and wisdom. Your sermon always fills my heart and soul with the joys of music.
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